Roth was born in Newark, New Jersey, in 1933 and has lived in Rome, London, Chicago, and New York. His lengthy interviews with foreign authors-among them Primo Levi, Ivan Klima, and Aharon Appelfeld-have appeared in the New York Review of Books, the London Review of Books, and the New York Times Book Review. Until 1989, he was general editor of the Penguin book series Writers from the Other Europe, which he inaugurated in 1974 and which introduced the work of Bruno Schultz and Milan Kundera to an American audience.

Awards-the most awarded US writer-see belowĪfter many years of teaching comparative literature-mostly at the University of Pennsylvania-Philip Roth retired from teaching as Distinguished Professor of Literature at Hunter College in 1992.

Education-B.A., Bucknell University M.A., University of.

Haunted by Roth’s earlier work The Ghost Writer, Exit Ghost is an amazing leap into yet another phase in this great writer’s insatiable commitment to fiction.

The third connection is with Lonoff’s would-be biographer, a young literary hound who will do and say nearly anything to get to Lonoff’s “great secret.” Suddenly involved, as he never wanted or intended to be involved again, with love, mourning, desire, and animosity, Zuckerman plays out an interior drama of vivid and poignant possibilities. The once irresistible Amy is now an old woman depleted by illness, guarding the memory of that grandly austere American writer who showed Nathan the solitary path to a writing vocation. The second connection is with a figure from Zuckerman’s youth, Amy Bellette, companion and muse to Zuckerman’s first literary hero, E. But from the time he meets them, Zuckerman also wants to swap his solitude for the erotic challenge of the young woman, Jamie, whose allure draws him back to all that he thought he had left behind: intimacy, the vibrant play of heart and body. They will flee post-9/11 Manhattan for his country refuge, and he will return to city life. One is with a young couple with whom, in a rash moment, he offers to swap homes. Walking the streets like a revenant, he quickly makes three connections that explode his carefully protected solitude. Alone on his New England mountain, Zuckerman has been nothing but a writer: no voices, no media, no terrorist threats, no women, no news, no tasks other than his work and the enduring of old age. Like Rip Van Winkle returning to his hometown to find that all has changed, Nathan Zuckerman comes back to New York, the city he left eleven years before.

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